Conceived by Róna Kopeczky, curator of the Hungarian pavilion at the Venice Biennale (2024), this group show plunges visitors into the heart of the contemporary Hungarian art scene. Painting, sculpture, installation, video… these are just some of the mediums explored to grasp the aesthetic and conceptual issues that run through young Hungarian creation.
Artists: Ádám Albert, Róbert Batykó, Dániel Bernáth, Veronika Csonka, József Csató, EJTECH (Judit Eszter Kárpáti et Esteban De La Torre), Ákos Ezer, Gideon Horváth, Zsófia Keresztes, Katalin Kortmann-Járay & Karina Mendreczky, Bence Magyarlaki, Mira Makai, Tamás Melkovics, Eszter Metzing, Zsolt Molnár, Luca Sára Rózsa, Rita Süveges, Kata Tranker.
Róna Kopeczky is a French-Hungarian art historian and curator specialised in contemporary art. She worked as curator of international art at the Ludwig Museum in Budapest between 2006 and 2015, then joined the city’s leading contemporary art gallery, acb, as artistic director. In 2024, she curated the Hungarian pavilion at the 60th Venice Biennale. Her curatorial practice also includes contributions to international projects that enhance the visibility of the Hungarian and Central-Eastern European Contemporary art scene such as the first and second editions of OFF-Biennále Budapest in 2015 and 2017, Manifesta 14 in Pristhina in 2022, and Secondary Archive (2021-ongoing).

OUTDOOR
“Le temps du printemps”: New group exhibition at CAC Meymac with Dorian Cohen.
A symbol of renewal, joy, blossoming and resurrection, spring is the promise of a beneficial tabula rasa, of a promising new beginning that chases away the darkness and gloom of winter. The first buds and the return of migratory birds, signs of spring’s arrival, are artistic motifs that have inspired many artists. […]
In autumn, MO.CO. Panacée welcomes French artist Laura Garcia-Karras for her first solo exhibition in a public institution. To prepare for this exhibition, MO.CO. Montpellier Contemporain invited her to spend four months in residence, allowing her to create a new body of work and immerse herself in the exhibition spaces.Beyond an initial formal interpretation, it is the affective approach that emerges most prominently in the work of Laura Garcia-Karras, where gesture takes precedence. The artist focuses on a single medium: painting, which she stretches, deconstructs, and sculpts, questioning its materiality.
NEWS
MORGANE ELY
Villa Noailles - Ancien Évêché, Toulon, France
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Fondation pour l'Art Contemporain Claudine et Jean Marc Salomon, Annecy, France
09/27/24 - 12/15/24GÖZDE ILKIN
Biennale de Lyon
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Musée d'Orsay, Paris
09/19/24 - 09/19/24